An Evening with David Bromberg Quintet
When:
Thursday
July 9, 2020 @ 7:30 pm
Cost: $30 Premium/$25 Center/$20 Side
Thursday
July 9, 2020 @ 7:30 pm
Cost: $30 Premium/$25 Center/$20 Side
Contact:
315-686-2200
315-686-2200
For Americana godfather David Bromberg, it all began with the blues.
His incredible journey spans five-and-a-half decades, and includes - but is not limited to - adventrues with Bob Dylan, George Harrison, Jerry Garcia, and music and life lessons from seminal blues guitarist Reverend Gary Davis,who claimed the young Bromberg as a son. A musician's musician, Bromberg's mastery of several stringed instruments (guitar, fiddle, Dobro, mandolin), and multiple styles is legendary, leading Dr. John to declare him an American icon. In producing John Hartford's hugely influential Aereo-Plain LP, Bromberg even co-invented a genre: Newgrass.
Bromberg's guitar work remains a marvel; amped electric lead - both slid and fretted - and delicately powerful acoustic finger-picking propel these songs with the same force that made him the go-to guy for acts ranging from the Eagles to Link Wray to Phoebe Snow. This is a man who can go full-on Chicago gutbucket with "You Don't Have to Go" (a Bromberg original), then slay with the jazz inflections of Ray Charles' "A Fool for You," rendered here intimately solo.
His incredible journey spans five-and-a-half decades, and includes - but is not limited to - adventrues with Bob Dylan, George Harrison, Jerry Garcia, and music and life lessons from seminal blues guitarist Reverend Gary Davis,who claimed the young Bromberg as a son. A musician's musician, Bromberg's mastery of several stringed instruments (guitar, fiddle, Dobro, mandolin), and multiple styles is legendary, leading Dr. John to declare him an American icon. In producing John Hartford's hugely influential Aereo-Plain LP, Bromberg even co-invented a genre: Newgrass.
Bromberg's guitar work remains a marvel; amped electric lead - both slid and fretted - and delicately powerful acoustic finger-picking propel these songs with the same force that made him the go-to guy for acts ranging from the Eagles to Link Wray to Phoebe Snow. This is a man who can go full-on Chicago gutbucket with "You Don't Have to Go" (a Bromberg original), then slay with the jazz inflections of Ray Charles' "A Fool for You," rendered here intimately solo.